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Críticas The shots of the musicians performing are great, but one of the best things about Marshall's work and this book in particular is all the backstage scenes and crowd shots that make you feel like you're in the thick of things. It's a wonderful documentation of what is arguably one of the pinnacles of American music.--Mark Murrmann 'Mother Jones 'An in-depth trawl through the photographer's work...a breathtaking photographic trip through those legendary, barrier-breaking festival years--Jon Newey 'Jazzwise 'Reel Art Press prides itself in its exceptional taste, curatorial eye, and eclectic selection of material. Without a doubt, Jim Marshall: Jazz Festival is a title in which they may take great pride.--Michael J. McCann 'NY Journal of Books 'Marshall's shimmering photographs of those lazy summer days when the giants of jazz mingled with the crowd won't be seen as just a celebration of their music. It'll be the epitaph for an era.--John Blake 'CNN 'A master of music photography, Marshall assiduously shot jazz festivals offstage and on in Newport and Monterey, California throughout the early 1960s with his trademark mix of backstage access and fly-on-the-wall candor. This largely unseen trove reveals a bygone culture of cool, its players and denizens, with striking immediacy.--Jack Crager 'American Photo 'It's a given that Marshall had technique and then some. But the fact that he knew many of these musicians and loved their music was also an important metaphysical element.--Alllan Campbell 'BBC Arts 'Jazz Festival acts as an insight into decidedly rare cultural miscegenation for the time period - captured with a lightness of touch at odds with the photographer's reputation for bullishness... Jim Marshall managed to get the kind of access most photographers can only dream about.--Jacob Brookman 'British Journal of Photography 'Jazz Festival is not a nostaligic yearning for the past, but a celebration of the continuing cultural craze for all things relating to Modern Jazz and Ivy Look clothing... You can almost feel the sun's warming rays and an ocean breeze emanating from Jim Marshall's evocative photographs in this book.--Graham Marsh 'Port Magazine 'When Marshall's democratic camera captured the young, relaxed, supremely stylish and racially mixed audiences that the jazz giants were attracting, at least on the east and west coasts, he was chronicling a brief utopian moment amid the gathering storm of protest and often violent reprisal that would define the civil rights era of the early-to-mid 1960s.--Sean O'Hagan 'The Guardian 'Photographer Jim Marshall's black-and-white shots taken at the Newport and Monterey jazz festivals during the 1960s capture an era that can't be ignored.--Rolling Stone Reseña del editor Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of Rock & Roll, Country, Folk, Blues and Jazz are legendary. Renowned for his extraordinary access and ability to capture the perfect moment, hisinfluence is second to none. In 2014, Marshall became the only photographer ever to be honoured by the Grammys with a Trustees Award for his life's work. Published here for the first time ever are Marshall's jazz festival photographs from the 1960s. Over95% of the material in this breathtaking coffee table volume. Biografía del autor Graham Marsh is an art director, illustrator and writer who has released many groundbreaking visual books, including The Cover Art of Blue Note Records. His most recent projects include the pocket-sized The Ivy Look, the illustrated children's book, Max and the Lost Note and the coffee-table tome, Hollywood and The Ivy Look.

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